Raspberry Debacle

9 August, 2007

Colours, disguises, and two-pepper soup

Filed under: gluten-free, main, spring, vegetables, vegetarian — Holly @ 8:17 am

Two-pepper soup on a dinner table

The way food looks affects the way food tastes. At school, I used to put green food colouring in my common-room-fridge milk, and although it meant I drank blue hot chocolate for a year, it also meant it was usually someone else’s milk that got stolen. On a World War II ship, the cook once found he’d run out of cherry-flavoured jelly; to still the complaints of the crew, he put red food colouring into the lemon jelly, and everyone was happy. If you give someone chocolate yoghurt in the dark and tell them it’s strawberry, experiments show they’ll believe you.

Where this gets really interesting is when the appearance of food begins to completely overwhelm the taste. Mediaeval cooks would sew half a pig to half a chicken and call it a cockatrice; their Victorian followers would make carefully-coloured ice-cream in asparagus moulds (”to produce this fancy ice you will require at least eighteen asparagus moulds made in pewter, and procurable at most ironmongers”, the instructions read).

Wedding cakes come at the modern peak of food-for-show. They’re rarely cheap, often massively expensive, and they usually taste, well, pretty nasty. This is where the cake rental companies that have been in the news lately come in. They provide a fake wedding cake with a tiny portion of real cake in a drawer, and a slit you can put a knife through for the ceremonial slicing. The bride and groom pretend to cut the cake together; they pull the little real slice out; and then the cake as a whole is wheeled off to be surreptitiously replaced in the kitchen with “here’s one I prepared earlier”-style slices of another cake entirely.

This seems, on the face of it, a pretty ridiculous idea, but fake cakes aren’t new. The rulesets (pdf) of cake-decorating competitions often allow the use of a styrofoam “cake dummy” instead of a real cake base; and if you’re more concerned with appearance than taste, why not? In fact, I almost want one, just to have lying around the house (”what’s that?” “oh, it’s just my cake dummy”). I’m not, however, convinced by the idea that “a fake cake displayed on a kitchen counter or dining room table is especially appealing when a home is for sale and on display for potential buyers”. The recommended cake in this version is papier-mache and uniced, and I can’t imagine it would stand up to close inspection, or that most people wouldn’t find it quite creepy (though perhaps a papier-mache oak tree and/or third bedroom would add to the resale value).

I lack the patience and skill for cake decorating; the closest I get to food whose appearance overwhelms its content is a two-pepper soup (where “pepper” in this context means “bell pepper” or “capsicum”). At first it just looks pretty, but give everyone a skewer and they’ll happily draw patterns until it’s gone cold. If you can manage to persuade them to stop drawing for a few minutes and eat it, they’ll find it tastes pretty good as well.

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25 July, 2007

Afternoon Tea and Cranberry Buttermilk Scones

Filed under: afternoon tea, fruit, spring — Holly @ 10:31 am

Cherries and raspberries with background scones

Back in the nineteenth century, English moustaches were huge, waxed and worn on every forelip that could muster them. This caused problems: the nineteenth century was also a key tea-drinking period, and if you dangle your waxed moustache above a gently steaming cup of tea, the wax melts. Even if your moustache manages to hold up its magnificent peaks through strength and bloodymindedness, it’s still going to get tea in it.

Fortunately, ingenious nineteenth-century potters found a solution: the moustache cup. A small ledge sits across the top of a teacup, and tea-drinkers rest their moustaches on top of the ledge, sipping tea through a little hole while keeping their waxed ends safe.

In these modern days of less complex teacups, it would perhaps be possible to guard one’s moustache by drinking directly from the spout, as teapot designers originally intended; or, venturing into the less distant past, by making tea so repellant that you have no desire to drink it. In the seventeenth century, when tea was still in the process of being introduced to Europe, one set of instructions suggested that the drinker

beat up the yolks of two new-laid eggs with a dessertsponful of fine sugar and then mix them with a pint of hot (but not boiling hot) China tea that has been poured off the leaves.

Apparently the scrambled-egg tea drink

discusseth and satisfieth all rawness and indigence of the stomack, flying over the whole body into the veins, and strengtheneth exceedingly and preserves one a good while from the necessity of eating.

I find it quite easy to believe that I would be relieved from the necessity of eating for some time after eggy tea, yes.

If you can ignore the bit where they’re pouring it onto eggs, though, the seventeenth and eighteenth centuries were a great period for tea in Europe, mostly because nobody was quite sure how to make it or what its effects were. Maybe it was an evil drug (William Cobbett, campaigner against the evils of tea, claimed that tea “is, in fact, a weaker kind of laudanum, which enlivens for the moment and deadens afterwards”); maybe it was the best thing ever.

For some reason, anti-tea activists were particularly keen on involving pigs in their experiments: Cobbet suggested that people who doubt the poisonous nature of tea should

put it to the test with a lean hog: give him the fifteen bushels of malt and he will repay you in ten score of bacon or thereabouts. But give him 730 tea messes, or rather begin to give them to him, and give him nothing else, and he is dead from hunger, and bequeaths you his skeleton, at the end of about seven days.

and the anti-tea Mr Hanway reported an experiment which showed the apparently dire results of, er, scorching a pig’s tail with hot tea.

On the other side, though, there were anecdotes demonstrating that tea was a healthful tonic:

The Princesse de Tarente [...] takes 12 cups of tea every day, which, she says, cures all her ills. She assured me that Monsieur de Landgrave drank 40 cups every morning. ‘But Madame, perhaps it is really only 30 or so.’ ‘No, 40. He was dying, and it brought him back to life before our eyes.’

To be fair, this last is from Madame de Sévigné, who also reports that, for example, the fair-skinned Marquise de Coëtlogon drank too much hot chocolate during her pregnancy and as a result gave birth to a small black child. Plus she doesn’t report any experiments involving pigs, so she can’t be very reliable.

Desperate to settle the matter of whether tea is a harmful drug or a delightful healthgiver, but without any pigs at hand, I recently conducted an experiment with two housemates, an aunt, and a small boy, whereby I denied them sandwiches and cake and fed them only tea and scones. They’re still alive, twitching their big hairy ears and wiggling their curly little tails, so presumably that settles it: tea is healthy, and also these scones are pretty nice.

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7 June, 2007

Lamington Cupcakes and Lamington Truffles

Filed under: afternoon tea, cake, food origins, spring, vegetarian — Holly @ 1:47 pm

Lamington cupcakes, with a floral background.

One of my favourite things about food is that every recipe must have been invented by someone. Somebody decided, in the days before electric mixers, to beat egg whites with sugar for half an hour and then plop them in the oven; someone decided to stick some chopped-up cow inside the cow’s own intestine. It’s as if Archimedes, getting in his bath and noticing the water level rise, had cried out “Eureka! We can use this to measure the volume of objects, oh and also I bet if we took the displaced water and made it really warm and put carrots in it then they’d go soft and a bit delicious.”

Because a lot of foods are the result of what seem to be massively unintuitive decisions, a lot of food origin stories will attribute a new recipe to a happy accident; someone left corn out on the bench too long, someone else cut their french fries too thin in order to aggravate an awkward customer. My very favourite food origin story concerns the lamington, an Australian cake made from squares of sponge, often joined together with strawberry jam, dipped in chocolate icing and then desiccated coconut. Wikipedia’s version of the story:

Lamingtons are most likely named after Charles Baillie, 2nd Baron Lamington, who served as Governor of Queensland from 1896 to 1901. However, the precise reasoning behind this is not known, and stories vary. According to one account, the dessert resembled the homburg hats favoured by Lord Lamington. Another tells of a banquet in Cloncurry during which the governor accidentally dropped a block of sponge cake into a dish of gravy, and then threw it over his shoulder, causing it to land in a bowl of desiccated coconut or peanut butter. A diner thought of replacing the gravy with chocolate and thusly created the lamington known it today.

This is the most fantastic food origin story ever, replying on:

  1. a baron; who
  2. eats sponge-cake over a dish of gravy; and who on
  3. dropping the cake into the gravy is sufficiently infuriated to
  4. fish it out only to
  5. throw it over his shoulder, where it meets the work of
  6. somebody who left a dish of desiccated coconut lying around at a banquet, and who is probably not the same person as the one who
  7. naturally responds to this by looking at the gravy and suggesting it be replaced with chocolate.

This is without even addressing the claim that the dish might not have contained coconut, but instead peanut butter. Or the alternative suggestion that lamingtons might have been named after the baron because of their resemblance to his homburg hats, which… well, this is a homburg hat, from Hats in the Belfry:

 

A homburg hat

And this is a lamington:


A lamington
(from manthatcooks)

I don’t know, perhaps barons get special homburg hats that are shaped like boxes and covered in diamond shards.

The main trouble with lamingtons, for those of us who don’t live in Australia and can’t get them at the local bakery, is that they’re a pain to make; you have to stab the sponge cake with a fork and drip chocolate icing on it while you rotate it slowly (dropping the squares in the chocolate and then tossing them over your shoulder doesn’t actually give you a complete covering, it turns out, and also can get really messy when you miss the bowl of coconut). My current solution is to make lamington-style cupcakes, with a swirl of jam in the batter and lamington icing on top. Non-Australians will also bite into these without fear, which is not necessarily the case with the traditional lamington; whether you consider this an advantage or not depends, I suppose, on how much you like them.

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1 June, 2007

Death by Rhubarb and Fig Tart

Filed under: dessert, fruit, gluten-free, spring, vegetarian — Holly @ 10:43 am

Pretentiously-photographed tulip and rhubarb-and-fig tart.

Another brilliant thing about South London: the charity shops. Yesterday it was Lou Jane Temple’s Death By Rhubarb, tagline: “At Cafe Heaven, the souffles don’t fall, but the bodies do”.

Cover of a book called Death by Rhubarb

It’s a “culinary mystery” from 1996 in which cafe-owner Heaven Lee “turns sleuth to save her restaurant”, and it has a fantastic disregard for genre boundaries. “Tonight they were sharing three Blue Heaven salads, and a double macaroni and cheese”, the main text says, and then there’s a recipe for Blue Heaven Salad. “You’re right, Pearl. What would this street do without you, you and your gingerbread?” says a character, and then there’s a recipe for Pearl’s Gingerbread Upside-Down Cake. The series also seems to be charmingly autobiographical; character Heaven runs Cafe Heaven, writer Lou runs Cafe Lulu.

There are now seven books about Cafe Heaven, including A Stiff Risotto (I feel like there’s a pun here I’m not getting?), Red Beans and Vice, and Bread on Arrival. I particularly like Bread on Arrival for being the wrong way round: instead of death being smuggled into a seemingly innocent meal, it’s a meal being smuggled into a macabre situation. Presumably ambulance attendants rush a dying patient to the hospital, and when they get him there he’s… been replaced by a life-size bread mannequin? I don’t know, the charity shop only had the first two books in the series.

The question, anyway, is whether I should take this as inspiration to rejig Raspberry Debacle as an ongoing mystery. The answer is “almost certainly not”, but I’ve been preparing possible renames, just in case:

  • Rest in Peas (restinpeas.com is unfortunately already registered, though there’s nothing there)
  • Vegetable Stir-DIE
  • Um, Scrambled Legs?
  • Fig-or Mortis?
  • Capital Bun-ishment?
  • I know, A Sudden Tart Attack!
  • This isn’t as easy as it looks, though
  • Portobello Mush Doom? Monosodium Glutafate?
  • Gluten-free chocolate cake but it isn’t really gluten-free and someone’s allergic to gluten oh no, though maybe that should just be called Gluten-FULL Chocolate Cake?
  • Last Dill and Testament

Ivy, Battersea’s bakingest postgrad, sighed as she looked at the body in the kitchen. “I don’t know where you’re going to keep it,” she said. “There’s no room in our fridge, and you know Patriona doesn’t like meat in hers.” Patriona was their housemate — she was a vegetarian and gluten-intolerant!

“It’s not mine,” Ivy’s boyfriend Keath replied, stroking his beard in a puzzled way, because he had one.

Ivy sighed again, and looked up the stairs. “Cory!”, she called, “is this your body in the kitchen?” Cory was their other housemate. He had short hair.

There was a bit of hilarious misunderstanding while Cory thought she’d meant his actual body, that he lived in and typed with and things, because that’s the natural assumption surely, what with people not usually leaving bodies in the kitchen. Finally, however, the misunderstanding was cleared up.

“Maybe it’s Patriona’s?” Cory said.

Ivy phoned Patriona.

“No,” Patriona said, “I didn’t leave a body in the kitchen. I’m a vegetarian and gluten-intolerant, remember! I hope you get rid of it before dinner, anyway, remember Robert and, I mean, um, Zobert and Snosh are coming over. Did you say you were making a tart?”

“Oh!” Ivy said. “The tart!” She ran to the oven, and pulled out her Rhubarb and Fig Tart just in time.

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25 May, 2007

Poppyseed Pear Cake

Filed under: afternoon tea, cake, fruit, spring, vegetarian — Holly @ 11:15 am

Close-up of a pear cake with poppy seeds.

Are there any proper conventions for naming recipes? Desultory research turns up a woman who likes to name recipes after the characters in books she’s written, but I haven’t written any books. I have written most of a thesis (it’s why I haven’t been posting here for a few weeks); but my housemates might object to eating Instantiating the Characteristics of Barthes’ Ideal “Writerly” Text Risotto and Convergence of Critical Theory and Computer Science Cookies.

There must be trends in recipe-naming. Mediaeval or Renaissance cookbooks mostly seem pleasantly matter-of-fact, if occasionally opaquely spelt: “a pigge”, “Peacoke Sauce wyne and salt”, “A salet with harde egges”. The seventeenth century is much the same; “To bake Apricocks green”, “To make a Foole”. When there’s a divergence from the rule, it’s a bit embarrassed: “To make red Ginger-bread, commonly called Leach-lumbar”.

The matter-of-factness breaks down more in the nineteenth century; Mrs Beeton has a “Soup a la Cantatrice”, to improve the voice, and a “Useful Soup for Benevolent Purposes”, to, er, use for benevolent purposes. Recipes from the period start being named after people more frequently: “Dr. Dobell’s Flour Pudding” sounds particularly unappetising, though I’m not sure whether it’s the “Dr” or the “flour” that does it. By the 1950s half the recipes in existence seem to be named after people, many of them fictional and with no discernible relation to the food; He-Man’s Tuna Noodle Casserole, John Beresford Tipton Bars. By the fifties, recipe writers have also firmly established the policy of mentioning, in the recipe’s title, any unexpected ingredients — if you’re going to feed someone Pepsi-Cola Cake With Broiled Peanut Butter Frosting then they probably deserve to know what they’re in for.

These days the standard practice seems to be to specify the type of food, and also some distinguishing details or ingredients — more detail than a mediaeval-style “an cayke”, but stopping short of “chocolate-coffee cake with vanilla, salt, baking powder, butter, sugar and those little silver balls on the icing maybe, if there are any left in the cupboard, or hey, how about a broken-up flake”. My problem is that today’s cake has four distinguishing details (lemon, poppyseed, upside-down, pear), which is too many for a name.

Fortunately, professional chefs grapple with the same problem, as a forum discussion of “Roasted duck and goat cheese filled crepes with watermelon and cucumber syrup” demonstrates. The resolution they favour appears to involve the extensive use of nonwords; suggestions for the duck include “Quackenbaa Crepes” (ducks quack and goats baa, y’see) , “Cheese & Quackers”, and my personal favourite, “Roasduck in Crepes”. And who am I to go against the dictates of professional chefs?

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19 April, 2007

Chocolate Polenta Cake, Strawberry Ice-Cream, and Useful Kitchen Gadgets

Filed under: afternoon tea, cake, fruit, gluten-free, icecream, spring, vegetarian — Holly @ 11:05 am

Chocolate polenta cake, a strawberry, and strawberry ice-cream from above

After I’d ordered my ice-cream maker, but before it arrived, there was an article (in the Guardian, I think) claiming that ice-cream makers were the most useless of kitchen appliances, with a high cost-to-use ratio springing from the combination of their price (twenty-five to fifty pounds) and the fact that nobody actually uses them. Several weeks of ice-cream-maker ownership has reassured me that this is not the case, but in matters of science instinct must give way to analysis; so today I have chosen to compare my ice-cream maker to a number of other kitchen appliances. This will allow me to work out whether it really is useless, or whether the Guardian is just talking charming nonsense.

The electric tablecloth: No longer available in shops, the electric tablecloth is, er, an electric tablecloth. You can stick bulbs into it and they will light up, and if you spill a drink on it, you will die.

  • Pros: an interesting demonstration of the Edwardian idea that electricity is good with everything (compare the home instruction book Things A Lady Would Like To Know, which recommends, for cramp, “Be electrified through the part which uses to be affected, or hold a roll of brimstone in your hand”, and for deafness, “be electrified through the ear”).
  • Cons: No longer commercially available. Oh, also the death thing.

A self-winding fork for spaghetti: Like the electric tablecloth, this 1937 experimental model is not comercially available.

  • Pros: Spaghetti can indeed be quite difficult to eat decorously.
  • Cons: Almost entirely useless; inventor intended it as a joke; early twentieth century novelty kitchen items are slightly amusing, through the magic of passing time, but people are still selling these, zanily no doubt.

The inside-the-shell electric egg scrambler: A needle is inserted into an egg. The electric scrambler’s scrambling process is initiated, and the needle jiggles around for eight seconds. You then have a pre-beaten egg, which you can either crack open and use as you will, or boil to get a homogenised pale-yellow boiled egg.

  • Pros: Won’t kill you; apparently not intended as a joke; quite small.
  • Cons: Homogenised pale-yellow boiled eggs? What? What?

Duck press: A duck press costs $1500 (expedited shipping not available), and is used for pressing barely-cooked duck until all its duck juice comes out. We learnt about duck presses from a recent programme on Edwardian food (housemate Brendan has already posted about it) but they’re still being manufactured and used; La Tour d’Argent apparently served its millionth pressed duck in 1996 (#253,652 was for Charlie Chaplin).

  • Pros: For an extra $60, you can get a duck press with little duck feet; duck press can perhaps be multipurposed for pressing garlic, trousers, Oxford University, etc.
  • Cons: Takes up quite a lot of bench space.

My ice-cream maker: £36, compact, batteries included, makes delightful ice-cream and sorbet.

  • Pros: You don’t even need to pre-freeze the bowl. You just put the whole machine in the freezer (it’s quite small, but I can measure it if anyone wants one and is worried about whether it would fit in their freezer), and then a few hours later you have ice-cream. Ice-cream!
  • Cons: £36 is a fair wodge of money; and while it’s in the freezer the machine makes little shivery grinding I’m-cold-let-me-out-please noises whenever you walk past the fridge. If you’re in the habit of anthropomorphising kitchen appliances (or drawing sad faces on them), you might find this troublesome.

There’s some competition from the duck press, but I think it’s clear that the ice-cream maker is in fact the least useless kitchen appliance, and furthermore the only one that’s necessary for making chocolate polenta cake with strawberry ice-cream.

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